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From the classic Zen & The Art of Motorcycle Maintenance, by Robert Pirsig:

"I think that when this concept of peace of mind is introduced and made central to the act of technical work, a fusion of classic and romantic quality can take place at a basic level within a practical working context. I've said you can actually see this fusion in skilled mechanics and machinists of a certain sort, and you can see it in the work they do. To say that they are not artists is to misunderstand the nature of art. They have patience, care and attentiveness to what they're doing, but more than this -- there's a kind of inner peace of mind that isn't contrived but results from a kind of harmony with the work in which there's no leader and no follower. The material and the craftsman's thoughts change together in a progression of smooth, even changes until his mind is at rest at the exact instant the material is right."

"We've all had moments of that sort when we're doing something we really want to do. It's just that somehow we've gotten into an unfortunate separation of those moments from work. The mechanic I'm talking about doesn't make this separation. One says of him that he is 'interested' in what he's doing, that he's 'involved' in his work. What produces this involvement is, at the cutting edge of consciousness, an absence of any sense of separatedness of subject and object. 'Being with it,' 'being a natural,' 'taking hold' -- there are a lot of idiomatic expressions for what I mean by this absence of subject-object duality, because what I mean is so well understood as folklore, common sense, the everyday understanding of the shop. But in scientific parlance the words for this absence of subject-object duality are scarce because scientific minds have shut themselves off from conciousness of this kind of understanding in the assumption of the formal dualistic scientific outlook."

"Zen Buddhists talk about 'just sitting,' a meditative practice in which the idea of a duality of self and object does not dominate one's consciousness. What I'm talking about here in motorcycle maintenance is 'just fixing,' which the idea of duality of self and object doesn't dominate one's consciousness. When one isn't dominated by feelings of separateness from what he's working on, then one can be said to 'care' about what he's doing. That is what caring really is, a feeling of identification with what one's doing. When one has this feeling then he also sees the inverse side of caring, Quality itself."

"So the thing to do when working on a motorcycle, as in any other task, is to cultivate the peace of mind which does not separate one's self from one's surroundings. When that is done successfully then everything else follows naturally. Peace of mind produces right values, right values produce right thoughts. Right thoughts produce right actions and right actions produce work which will be a material reflection for others to see of the serenity at the center of it all. That was what it was about that wall in Korea. It was a material reflection of spiritual reality."

"I think that if we are going to reform the world, and make it a better place to live in, the way to do it is not with talk about relationships of a political nature, which are inevitably dualistic, full of subjects and objects and their relationship to one another; or with programs full of things for other people to do. I think that kind of approach starts at the end and presumes the end is the beginning. Programs of a political nature are important end products of social quality that can be effective only if the underlying structure of social values is right. The social values are right only if the individual values are right. The place to improve the world is first in one's own heart and head and hands, and then work outward from there. Other people can talk about how to expand the destiny of mankind. I just want to talk about how to fix a motorcycle. I think that what I have to say has more lasting value" (266-267).

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